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A
presentation that was made by Carol
Linn Dow in Atchison, Kansas,
at the Amelia Earhart Festival
1.
Hello, my name is Carol Linn Dow, and I am the
novelist and screenwriter for “The
Lost Flight of Amelia Earhart.”
Felix Girard, Executive Producer at Allied
Artists asked me to comment on the reasons why
I wrote the book and the script.
2. Quite a few young women in
this country and actually around the world
have at some time in their lifetime cherished
the cause for which Amelia Earhart flew on her
daring flights through the sky. She was
a hero in a true sense of the word, and I was
fortunate to have been friends with her
sister, Muriel.
3. Early on in my career I was
fascinated with the life of Amelia Earhart. I
live in Texas, and at one time I was a pilot
and flew a Beechcraft Bonanza out of Addison
Airport in the Dallas area. Fortunately, I
decided to sell the airplane before I got
killed, but that little airplane to this day
is still flying around somewhere in
California, I believe. Muriel Earhart
Morrissey and I became fast friends as a
result of a business trip I made to the Boston
area to see Parker Brothers Games. I
stopped off to visit Muriel on that trip. She
was living in a small wood frame house in West
Medford, Massachusetts.
4. I became fast friends with
Muriel. She was a dear sweet person and so
encouraging, and alert, and enthusiastic to be
around. She was wonderful. We wrote letters
and letters and post cards. In fact, here’s
one of the letters I can read to you:
5. “Dear Carol….The
impressive game arrived yesterday all intact.
I’m eagerly awaiting for my son’s family
to come on Sunday so we can baptize it and
learn who has a flair for playing stockmarket
games. Thank you much for sending your
brain child to us. Thank you, too, for
returning “Courage is the Price”
so promptly. I hope it was helpful in showing
Amelia as she was so you can write a true but
exciting screenplay. Remember, I shall
be glad to help to the best of my knowledge.
Good Luck! Sincerely, Muriel".
6. Well… so now you know…
at an early age I was attempting to write a
screenplay about Amelia Earhart. “Courage
is the Price” was a book that Muriel
had written about her sister, Amelia.
The game Muriel talked about was a stockmarket
game I was trying to sell to Parker Brothers
in Salem, Massachusetts. Write a
screenplay? All of the
screenwriting activities began for me in the
year when Susan Clark’s Amelia story aired
as a television special. The television
special was deeply flawed, and Muriel thought
the research was poor and only 50% accurate.
Diane Keaton, a few years later, did another
television special that characterized Amelia
as a hot-headed, incompetent pilot that flew
out over the ocean and crashed in the sea.
Incompetent???? Amelia Earhart????
7. I always thought that
a successful screenplay about Amelia Earhart
had to answer the fate of the round-the-world
flight and its tragic ending at Howland
Island. Without it, a story about Earhart is
incomplete and lacking in content. It begs the
issue. What happened to Amelia Earhart? The
usual crash in the ocean to dispose of the
matter is not enough. It makes a zero grade in
the drama department. It is dull and
uninteresting. The two television screenplays
that have been done followed the crashed and
sank story line, and they have since faded
into obscurity. Perhaps the
screenwriters did not know enough about the
subject matter to complete the story. I
don’t know.
8. I have forever
believed that Earhart, in her round-the-world
flight, turned back for the Gilbert Islands
and was captured by the Japanese. Captured by
the Japanese? It is a story that has never
been told on the silver screen. It is a story
that has intense dramatic value. Amelia’s
mother, Amy, believed her daughter was taken
prisoner by the Japanese, and the Japanese
thought she was a spy… when, in truth, she
was not.
9. Fleet Admiral
Chester Nimitz told a story to Fred Goerner, a
CBS radio reporter, that Amelia Earhart did
indeed fall into the hands of the Japanese. As
Chester Nimitz told the story, the airplane
actually crashed in the area of the Marshall
Islands, the next chain of islands north of
the Gilberts. Nimitz believed Amelia and
her navigator, Fred Noonan, were taken to
Japanese headquarters at Saipan, imprisoned,
and there they died as prisoners of war.
Spies? Executed as a prisoner of war? If this
was true it would be electrifying in a feature
motion picture. Just think of it! An Aircraft
Carrier, a Battleship, and three Destroyers
being sent to search the crash area. It was an
unprecedented move for a civilian flight, and
the largest search for a downed pilot in
aviation history. The Japanese must have
indeed thought this woman was on some type of
a military mission. Maybe she was a spy.
Amelia Earhart a spy?
10.
All of this is great movie material, but,
until now, it has never been used on the
silver screen. We believe “The
Lost Flight of Amelia Earhart” has the
potential to become a film classic. Possibly
it will. It is basically an Oliver Stone type
of JFK project with a great World War II story
behind it.
11.
In constructing the novel and the screenplay
for The Lost Flight, I created a
protagonist who didn’t believe all the
“usual” crashed and sank stories about
Amelia Earhart. Mack Brown, a veteran
newspaper editor and the protagonist in the
screenplay believed Earhart turned back for
the Gilbert Islands and landed in the Marshall
Islands by mistake. It is great setup
for conflict…. a story a newspaper editor
cannot print…but which he believed… but
which could start a war with the Japanese. And
let this same editor have a knock-down battle
with George Putnam, Amelia’s husband. George
Putnam would say, “A prisoner of war!
She is no such thing. She’s alive I tell
you, she’s alive! You can’t put a story
like that in the newspapers!” The
story of The Lost Flight is Mack
Brown’s opinion of what happened to Amelia
Earhart. It is a story he cannot prove, and a
story he cannot write, and a story he cannot
put in the newspapers.
12. When I first started working
on the Lost Flight, I actually
thought Amelia Earhart may have been on some
type of a spy mission. But none of the
information that was available supported a spy
story. Spy stories did not make any
sense . A civilian aircraft flying over the
Japanese mandated islands taking pictures
would have created an international incident
in 1937. For what purpose? United States
naval intelligence had secretly broken the
Japanese codes before the onset of World War
II. They well knew the Japanese were preparing
for war in the Pacific. In fact, it is
suspected that Franklin Roosevelt knew Earhart
had been captured by the Japanese and was
being held a prisoner in the Marshall Islands.
How else could you explain the cruise of the Nourmahal?
The millionaire Vincent Astor and
Roosevelt’s cousin, Kermit Roosevelt, took
Astor’s magnificent yacht, the Nourmahal,
on a supposedly pleasure cruise
to the Marshall Islands in 1939, two years
after Earhart disappeared. The Nourmahal
was a luxurious ocean going vessel manned by a
crew of forty two. The ship was 264 feet in
length and was capable of reaching speeds of
24 knots. With the advent of World War II, the
vessel was sold to the Navy and operated as a
Convoy Escort Commander.
13. The Nourmahal
was denied access to the Marshall Islands. On
board the yacht in this cruise was a British
intelligence officer. Natives from the nearby
Gilbert Islands had penetrated the Marshalls
and were supplying the British with all the
military information they needed. In fact, the
problem was really what had happened to
Roosevelt’s good friend, Amelia Earhart?
What was the real reason for the cruise of the
Nourmahal. According to Fred Goerner,
several times before the war the records that
are now available indicate that Roosevelt
asked the Office of Naval Intelligence to
infiltrate agents into the Marshall Islands to
determine whether Earhart was alive or dead.
He also asked his friend Vincent Astor in 1938
to take his private yacht to those islands to
seek out possible information, but the yacht
was quickly chased away by the Japanese.
14. It took about five years to
write and develop the book and screenplay for “The
Lost Flight,” and, yes, the cruise of
the Nourmahal is in the novel and the
script. There is a treasure house of
research information in the book about the
Lost Flight.
15. But how do we know these
statements about the cruise of the Nourmahal
are true? Where did they originate, and what
was the source? There is information available
now that U.S. Naval Intelligence knew a great
deal more about Japan's activities in the
mandates, particularly Saipan, Truk and the
Marshalls than has ever been revealed. The
information was gathered from agents who were
able to infiltrate the islands. Through the
observations of agents and submarines and the
breaking of the Japanese codes and traffic
analysis of Japanese Naval radio messages, the
U.S. already had more than a fair idea of what
was going on with respect to the various
islands. To ask Earhart to overfly either the
Carolines or the Marshalls was not only too
dangerous for a flight that was already
marginal, it also had no purpose.
16. One of the most important
aspects of Japanese development of the
mandated islands was the construction of radio
stations with high frequency direction finding
capabilities. By 1937, Japan had eleven (11)
radio stations in the mandates. They were much
better at tracking the Earhart plane then we
were. Their radio direction equipment was far
superior to anything the United States had at
the time. The truth of the matter is that if
Earhart went down in the area of the Gilbert
or the Marshall islands, the Japanese would
have been there first.
17. Before closing there is one
point I would stress and that is the
importance of the post loss transmission that
was heard by a radio operator at Nauru Island
following the Earhart loss. That
transmission has never been questioned by the
press, by researchers around the world, or,
quite literally, by anyone who has ever spent
any time investigating the Earhart
disappearance. The message was:
SPEECH NOT INTERPRETED OWING TO BAD MODULATION
OR SPEAKER SHOUTING INTO MICROPHONE BUT VOICE
SIMILAR TO THAT EMITTED IN FLIGHT LAST NIGHT
WITH EXCEPTION OF NO HUM OF PLANE IN
BACKGROUND.
The message tells us the airplane was down and
down on
dry land, but we do not know where. The
engines were not turning. Thusly, the
transmission was made on battery power only.
The voice was the voice of Amelia Earhart.
She was evidently shouting into the microphone
in an effort to be heard. With all due respect
to the efforts of Elgen Long and Nauticos in
their search at sea, the Earhart transmissions
in the area of Howland Island were not
the final transmissions of Amelia Earhart. The
story did not stop at Howland Island.
18. The website we have up and running
is doing a good job of persuading public
opinion of the true fate of Amelia Earhart. It
is very factual, and now the book is available
with even more extensive information.
19. Well, Ladies and Gentlemen, it
has been my pleasure to be able to talk to you
for these few minutes. I sincerely hope from
what I have said, it has helped to bridge the
gap on the fate of Amelia Earhart’s
round-the-world flight, and its tragic ending.
What Earhart was trying to accomplish was a
route across the Pacific with a refueling
point at Howland Island. May we forever
remember Amelia Earhart for the sacrifice she
made. She, undoubtedly, became one of the
early victims of the war that developed in the
Pacific. It is a tragic ending, but, even so,
Amelia Earhart remains endeared to all of us
as one of the great women of aviation. It is
my pleasure to have written the book and to
some day also see it come to life on the
silver screen. Click
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